February 1, 2009

Abbreviated Thematic Analysis of an Interview: Mrs. Joan Lash

[An academic exercise and part of a larger project on authenticity in writing, 12/08.]

[THIS PAPER MAY BE USED IN WHOLE OR IN PART FOR ILLUSTRATION OR INSTRUCTIONAL PURPOSES WITH OR WITHOUT PERMISSION.]

Abstract

The author asks a text to reveal what life was like. The text is a short oral history interview, and it reveals several major themes as a result of textual analysis. These are then reported and discussed in terms of an alternative to a hypothetical standard history text. A partial yet richer understanding of a person and a period appears as a result.

Abbreviated Thematic Analysis of an Interview: Mrs. Joan Lash

An oral interview can write history (Geraci 2005), but in some important respects, it tells a different story than that in a learned, bound volume. It is a story for richer understanding of what life was like. This then is the central question for storytellers and -gatherers. A close examination of one example can uncover this richer, personal texture of a time in history we might otherwise gloss over.

The act of commemorating by asking someone to recount may also be about forgetting (Hamilakis and Labanyi 2008), and an oral history may reveal as much about that as what is remembered in the moment. In addition, the act of telling one's history can reveal tensions that a carefully crafted text might overlook, or ignore all together (Saikia 2000).

What of all of this--in a concrete example? "Mrs Joan Lash, wife of an ADC [aide-de-camp] to the Governor of Madras," talked in 1985 about everyday life in India to Mary Thatcher. The text of the interview, made available by the Centre for South Asian Studies, Cambridge, has been included here. An abbreviated thematic analysis of what was said is this paper and a suggestive object lesson in what history does not always tell us.

To let the text speak, the transcribed version of the Lash interview, including Thatcher's questions, was first formatted in a table with 108 rows, one for each sentence, and three columns for numbering and notes. Repeated readings generated questions and comments--the notes--for many sentences. From these notes, larger categories, tentative themes in the third column, were isolated. A careful reading of the text, including the words of both interviewer and interviewee, showed it had many more candidate themes than those highlighted and can be reported here.

Textual analysis focused on Mrs. Lash and at the sentence rather than word or phrase level. However, the importance of the themes selected come from the words and phrases, or their equivalents, that Mrs. Lash provided. Thus, adherence to the text and what it says gave rise to the themes. Independent of the text, as may be seen below, the themes stand on their own as important in the texture of a life.

The themes selected for further study and analysis after the sifting out was a result of a back and forth reading/re-reading process, a kind of hermeneutic spiral both up and down until the briefest, cursory analysis could be summarized (Gadamer 1988).

Mrs. Joan Lash, at the time of the interview and in the eighth decade of her life, showed "placid acceptance" of "the pattern of life" as she knew and experienced it. She also showed she had "different mothers" and different ideas about what and where "home" was. Forgetting about or not remembering figure into the themes of home and different mothers. Tensions around "Being abandoned everywhere" (Line 107) relate to home and mother as well as seem to have contributed to placid acceptance of the pattern of life.

The pattern of life is Mrs. Lash's phrase, and she uses it three times (Lines 2, 31, and 80). In lines 28 and 79, she also uses phrases which can readily be understood as the pattern of life. Five references to the way it was for her, combined with being placid and accepting (Line 45) and just taking it (Line 46), strongly suggest a way of being.

Telltale in this pattern of the way of Mrs. Lash is how she refers to what happened. She is often acted upon rather than acting. Consider what she says after "just taking it": "And then when you became eighteen my father and mother were both out in India then and I then went out to India." It is as if there was a protocol for people of her background or station, that that next step was natural, a part of a known process. When she reflects that she may not have been proper when in Madras enjoying herself (Line 77), as if that were terrible, there is this preoccupation(?) with some determined-by-other way.

Mrs. Lash has one mother, the one she cherishes with a particularly vivid memory from childhood (Line 2 and following). This is the same person she can describe as her mother in the third person, without much detail or emotion. "She was a very beautiful person, very lovely, rather helpless I suppose" (Line 12). This is perhaps the same mother she yearned for (Line 44).

One wonders what the specifics were that Mrs. Lash could describe her one mother in such general terms: The cherished mother is forgotten in the interview as commemoration.

Mrs. Lash appears to have spent her early years away from her mother, perhaps both of them coming or going between England and India. She also has mother figures in nannies, unnamed aunts, and an unnamed nun.

As has been stated, Mrs. Lash was abandoned everywhere, even in early childhood (Line 9). Everywhere raises the matter of different houses. Home seems to have been England and India. The tensions Mrs. Lash felt in her houses-not-homes of boarding school and various aunts are less clear but strongly expressed (Lines 40 and 30 respectively).

In the end, although this theme would seem to figure large in the texture of a life, we have few details except the presumed number of houses in different places of residence. Perhaps Mrs. Lash did not place much importance on them.

This oral history is rich as the above analysis, transcript, and comments suggest. However, it is partial. We have a sense of Mrs. Lash, but her life is sketched only. We do not have the luxury of follow-up questions, and the analysis can help us get just so far in understanding.

Some themes are quite clear and suggest further inquiry. How did the life of a young man or young woman turn upon parents in service of the empire? What is done to the notion of home when two or more places could be called so? Women and mothers adapted in earlier times, yes, but in the main how did they? And how was life for these patriots abroad, a prescribed pattern to be followed and placidly accepted, or was there zest and excitement enough as with Mrs. Lash (Line 108)?

Mrs. Lash gives us an insight in this interview that we cannot gloss over, but lest that be all there is, history, the history of people, would be and is much more--a story for richer understanding.

References

Gadamer, H-G. (1988). ‘On the circle of understanding’ in J. M. Connolly & T. Keutner (Eds.), Hermeneutics versus science? Three German views (pp. 68-78), Notre Dame, IN: University of Notre Dame Press.

Geraci, Victor W. 2005, ‘Letting Sources Become the Narrative: Using Oral Interviews to Write History’, The Public Historian 27, no. 1 (January 1): 61-66.

Hamilakis, Y., Jo Labanyi 2008, ‘Introduction: Time, Materiality, and the Work of Memory’, History and Memory 20, no. 2 (October 1): 5-17.

'Interview: Mrs. J. Lash by Mary Thatcher' (1985), Centre of South Asian Studies 004, viewed 5 December 2008 .

Saikia, Yasmin 2000, ‘Creating Histories: Oral Narrative and the Politics of History-Making’, The Journal of Asian Studies 59, no. 4 (November 1): 1084-1085.

[Appendixes omitted.]